Rumpelstiltskin
An opera for children
Music by Nicolas M. Reveles
Libretto by J. Sherwood Montgomery
Study Materials by Cynthia Stokes
The Cast
| Chad Hilligus |
Tenor |
Alastair, the Storyteller/ Rumpelstiltskin |
| Elyse Nakajima |
Coloratura Soprano |
First Guide |
| Crystal Jarrell |
Mezzo Soprano |
Second Guide |
| Will Earl Spanheimer |
Baritone |
The Miller |
| Sam Spade |
Bass-Baritone |
The King |
| Rachel Copeland |
Lyric Soprano |
Nell, The Miller's Daughter |
The Crew
| Music Director/Pianist** |
Tina Chang |
| Tour Manager |
Brian Pedersen |
| Stage Director |
Nicolas Reveles |
| Scenic Designer |
Jane La Motte |
| Costume Designer and Construction |
Donna Couchman |
2008-2009 Pierson Fellow
2008-2009 Audrey and John Morava Young Artist
**2008-2009 Merle and Teresa Fischlowitz Music Director’s Chair
All of the sets for this Ensemble production were constructed at the San Diego Opera Scenic Studio.
The 2008-2009 San Diego Opera Ensemble
Rachel Copeland, Lyric Coloratura Soprano
Oklahoma native Rachel Copeland completed her doctoral coursework at Indiana University, where she studies with Timothy Noble. She received a Bachelor of Music Education in Choral Conducting, as well as her Master of Music Degree in Vocal Performance, at Baylor University. Recent engagements include Papagena in The Magic Flute at Indianapolis Opera, Musetta in La Boheme at DuPage Opera and Mabel in The Pirates of Penzance at Louisiana Lyric Opera. She has performed with IU Opera Theater as Zdenka in Strauss' Arabella and assisted the Indianapolis Opera Ensemble as Donna Elvira in Don Giovanni and Susanna in The Marriage of Figaro. Rachel has also appeared extensively as a concert soloist, most notably in Mozart’s and Faure’s Requiem, Handel’s Messiah, Vivaldi’s Gloria, and Orff’s Carmina Burana. She will sing the role of Nell in Rumpelstiltskin and Fiordiligi in Cosi fan tutte. This is Rachel's first year with the Ensemble.
Elyse Nakajima, Coloratura Soprano
Elyse Nakajima recently relocated to the San Francisco Bay Area from New York City, and holds a Bachelor of Arts degree in Music and Linguistics from Stanford University. She has been a young artist with the Martina Arroyo Foundation and Intermezzo Opera, and has also participated in the Spoleto Vocal Arts Symposium, Oberlin in Italy, Songfest, and Bay Area Summer Opera Theater Institute. Roles performed include Marie in La Fille du Regiment with Northwest Opera in Schools, Etc., Feu/Princesse/Rossignol in L'enfant et les sortileges at Intermezzo Opera, Romilda in Serse and Servilia in La Clemenza di Tito with New York Opera Studio, and Pamina in Die Zauberflote and Mabel in The Pirates of Penzance at Stanford University. She will sing the First Guide in Rumpelstiltskin and Despina in Cosi fan tutte. This is Elyse's first year with the Ensemble.
Crystal Jarrell, Mezzo-Soprano
San Antonio, Texas resident Crystal Jarrell holds a Bachelor of Music in Vocal Performance from Abilene Christian University and a Master of Music in Voice Performance from Indiana University. She has sung Stephano in Roméo et Juliette and Kate Pinkerton in Madama Butterfly with Nashville Opera, the Mother in Amahl and the Night Visitors with San Antonio Opera, and Olga in The Merry Widow with Indianapolis Opera. Other roles performed include Olga in Eugene Onegin, Emily in The Ballad of Baby Doe, Mary Stone in Moore's The Devil and Daniel Webster, and Zita in Gianni Schicchi. She is an alumna of the young artist programs of Nashville Opera, Utah Festival Opera, and Indianapolis Opera. She was a Metropolitan Opera National Council Audition regional finalist in the Western Region in 2007. This season she will make her San Diego Opera mainstage debut as Countess Ceprano in Rigoletto. She will sing the role of the Second Guide in Rumpelstiltskin and Dorabella in Così fan tutte. This is her second year with the Ensemble.
Chad Hilligus, Tenor
Kansas native Chad Hilligus holds a Bachelor of Music from Olivet Nazarene University and a Master of Music in Voice Performance from the University of Utah. He has performed as a resident artist with Tulsa Opera (Faust), Sarasota Opera (Halka, Madame Butterfly, Attila), Ash Lawn Opera (La Bohème, Merry Widow) and, most recently, Nashville Opera, where he made his company debut as Ruiz in Il Trovatore. Other roles include Remendado in Carmen (Mendocino Opera), Gherardo in Gianni Schicchi (Chelsea Opera) and Rudolph in William Tell (American West Symphony). On the musical theatre stage, Chad has performed leading roles in West Side Story, Bye, Bye Birdie, Scrooge, Oklahoma!, State Fair, Godspell, Sound of Music and most recently in Show Boat at the Gateway Playhouse. He will sing the title role in Rumpelstiltskin and Ferrando in Così fan tutte. This is his first year with the San Diego Opera Ensemble.
Sam Spade, Baritone
Omaha resident Sam Spade holds a Bachelor of Music in Vocal Performance and a Master of Music in Vocal Performance, both from Indiana University. He has been a Young Artist at Indianapolis Opera, the Bonfils-Stanton Foundation Artists Training Program at Central City Opera and Le Festival Lyrique de Belle Ile en Mer in France. Roles sung include the creation of the part of Mr. Webb in Our Town by Ned Rorem at Indiana University, Morales in Carmen at Indianapolis Opera, Barney in The Ballad of Baby Doe at Opera Illinois and Marullo in Rigoletto at Festival Lyrique. This season, Sam will make his mainstage debut at San Diego Opera in the role of the Jailer in Tosca. He will be singing the role of The Miller in Rumpelstiltskin and Guglielmo in Così fan tutte. This is Sam’s second year with the San Diego Opera Ensemble.
Will Earl Spanheimer, Bass-Baritone
Currently a resident of Miami, Florida, Will Earl Spanheimer received a Bachelor of Arts in Vocal Performance from Grand Canyon University, Masters’ Degrees in Church Music and Music, respectively, from Baylor University and Arizona State University, and an Artist Diploma in Vocal Performance from the University of Miami. He has sung Danilo in The Merry Widow at the University of Miami, Ashby in La Fanciulla del West at the St. Barths Music Festival, and David in L’amico Fritz at the Opera Theatre Festival of Lucca, Italy, and Escamillo in Carmen at the ASU Lyric Opera Theatre, where he also originated the role of Alvin in American Gothic. He has performed in oratorio work as the bass soloist in Handel’s Messiah and Orff’s Carmina Burana. He is also a past First Place Division Winner at the Arizona regional National Association of Teachers of Singing competition. Will Earl will sing the roles of The King in Rumpelstiltskin and Don Alfonso in Così fan tutte. This is Will Earl’s first year with the San Diego Opera Ensemble.
Tina Chang, Music Director
An avid chamber musician, Vancouver pianist Tina Chang has appeared in many recitals, most recently as a guest pianist on the St. Cecilia Chamber Recital Series
in Halifax, Nova Scotia. She was on faculty at Dalhousie University these past two years where she coached students of various disciplines and taught 2nd year
Keyboard Skills. Tina has served as staff pianist at the Summer Vocal Academy for the Victoria Conservatory of Music, as well as the Interlochen Center for
the Arts during their summer session, where she coached various operetta scenes, was rehearsal pianist for multiple choirs and ensemble pianist with the
Interlochen Philharmonic. She was invited back to the Music Academy of the West in Santa Barbara this summer after being named the Julia Stearns Dockweiler
Fellow at the Music Academy of the West in Santa Barbara in 2007 and 2008.
Currently the Music Director of the San Diego Opera Ensemble, she coaches and performs with young professional singers around San Diego County. Born in Taiwan,
Tina immigrated to Vancouver, Canada with her family when she was nine. There, she completed her undergraduate degree in music at the University of British Columbia.
From there, she went on to complete her Master of Music degree in Collaborative Piano at the University of Minnesota. Her principal teachers include Timothy Lovelace,
Kenneth Broadway and Alice Enns.
J. Sherwood Montgomery, Librettist
Jack Montgomery has worked for the San Diego Opera Outreach and Education department since 1986, directing an Opera he wrote with Jeffrey Rockwell of Rip Van Winkle, presented in elementary schools throughout the county. He was responsible for overseeing the redevelopment of the Birch North Park Theatre, the new home of Lyric Opera San Diego. He has written the librettos for The Sleeping Beauty, and Rumpelstiltskin with composer Nicolas Reveles, that have been produced by the San Diego Opera Ensemble.
Nicolas Reveles, Composer and Director
holds a Bachelor of Arts in Music from the University of San Diego and a Master of Arts in Music with an emphasis in choral conducting from the University of Redlands. In 1994 he began a four year relationship with the White Oak Dance Project as pianist for their chamber ensemble, providing integral musical accompaniment for the performance of Mikhail Baryshnikov and his company. In this capacity the pianist appeared throughout the United States, South America, Australia, New Zealand, Canada, Europe and the Middle East. Dr. Reveles is currently The Geisel Director of Education and Outreach for the San Diego Opera. Since 1990 he has been the regular opera preview lecturer, offering over 60 presentations during each season. He is currently the host of OperaTalk on UCSD-TV and recently won First Place in Community Service and Public Affairs Programming from the San Diego Press Club.
Brian Pedersen, Education Tour Manager
Brian Pedersen is a graduate of the University at Albany with a degree in Theatre. While at the University at Albany he studied acting, directing, stage management, and technician practices. His credits include: Production Manager/Stage Manager for Lorna Luft’s Songs my Mother Taught Me; Stage Manager for Lyric Opera San Diego’s Iolanthe, and ion Theatre Company’s The Glass Menagerie. His eventual goal is to portray all his since-and-soon-to-be-learned knowledge to the children of tomorrow as a professor of theatre. Since his employment with the San Diego Opera Education and Outreach Program he has learned a vast amount about opera, and how opera can affect and change lives of virtually anyone.
Jane LaMotte, Set Designer
San Diego-based scenic designer Jane Le Motte’s local set design credits include Death and the Maiden at the San Diego Repertory Theatre, Out of Purgatory at the Old Globe Theatre, Pippin and An American Christmas for Lamb’s Players Theatre, A Shayna Maidel and Frankie and Johnny at the Clair de Lune at the Gaslamp Quarter Theatre, and nine seasons of touring shows for the San Diego Opera EnsemblHer other designs include Shakespeare’s Birthday at the Globe, two interior displays for Symphony Towers, Shamu’s Holiday Village for Sea World, and a hands-on theatre and backstage exhibit for the Children’s Museum of San Diego
Donna Couchman, Costume Designer
Donna Couchman has designed costumes for more than ten productions at the Old Globe Theatre, among them The Little Foxes, Loot, The Sunshine Boys, Equus and two educational tours. Her vast experience in costuming, wigs and make-up includes the San Diego National Shakespeare Festival at the Globe, Arizona Opera and Starlight Musical Theatre. As properties crafts master for the New York Shakespeare Festival, she was involved in such landmark productions as the original staging of The Normal Heart and The Mystery of Edwin Drood.
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SAN DIEGO OPERA
Ian D. Campbell
Artistic and General Director
Nicolas M. Reveles
Geisel Director of Education and Outreach
Angela Montague Kanish
Associate Director of Education, Operations
Brian Pedersen
Education Tour Manager
Cynthia Stokes
Associate Director of Education, School and Community Programs
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18th Floor, Civic Center Plaza
1200 Third Ave.
San Diego, CA 92101-4112
Tel: (619) 232-7636
Fax: (619) 231-6915
E-mail: educate@sdopera.com
Website: www.sdopera.com |
The 2008 - 2009 San Diego Opera Ensemble Tour is made
possible by a generous gift from The Maxwell H. Gluck Foundation.
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Additional Material
Main
What is an opera?
What to look and listen for at an opera?
Useful opera vocabulary for you and your students.
A synopsis and listening guide to the opera.
Musical Genre’s found in the opera.
Lyrics to sample songs in Rumpelstiltskin.
A Brothers Grimm Biography.
Information about San Diego Opera’s Ensemble.
The Cast and Crew biographies for Rumpelstiltskin.
Lesson: What are voice types?
Lesson: What are musical motives?
Lesson: How do opera set designers use theme to create visual ideas for a production?
Lesson: Create your own lyrics to the Name Polka.
The California Visual and Performing Arts Standards.
Watch Nicolas Reveles talk about composing Rumpelstiltskin on UCSD TV Operatalk
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